Watercolor painting is an artistic tradition that spans most of human
history.
Primitive man used pigments mixed with water to create cave paintings
by applying the paint with fingers, sticks and bones.
The
ancient Egyptians used water-based paints to decorate the walls of
temples and tombs and created some of the first works
on papyrus.
Chinese and Japanese masters painted on silk as well as exquisite
handmade paper.
Fresco
is a method by which pigments are mixed with water and applied to wet
plaster. This method was used primarily to create large wall paintings
and murals by such artists as Michelangelo and Leonardo da Vinci. The
most famous fresco is Michelangelo's Sistine Chapel of the Vatican
painted from 1508 to 1512.
No doubt you've had fun with watercolor as well - remember back to your
early school years and those watercolor sets your parents had to buy
you for school.
This is your opportunity to take
any image you want and turn it into a fabulous watercolor using the
various tools and techniques in Photoshop. The tutorial is
based on a technique from Photoshop Creative.
Photoshop has a watercolor filter and while it does a passable job it
doesn't compare to what can be done with some layers, paper textures,
blending modes,
masks, a mix of brush dynamics, some creative painting with a Wacom
pen and finally some time and care.
As
you are working on your image make sure you save the file regularly and
save the file as a Photoshop file (.psd). You'll be making a
lot
of layers and the Photoshop format will save the file with the layers
intact.
Before we get started let's look at a comparison of the Photoshop
Filter and the watercolor conversion ...
Comparison
Take a few moments to compare the following three images. The
first is the original image that will be converted to a watercolor
painting.
The second is the built-in Photoshop filter and the third is the long
conversion of the original image.
Original Image
Photoshop Filter
Conversion
There's quite a difference, isn't there?
Brush
Dynamics
The first part of this watercolor conversion is all about Photoshop
techniques - layers and masks and blending modes.
The artistic part of the technique is all about brushes and
how they are used to create the fabulous watercolor look with the best
results being achieved with a Wacom tablet (Bamboo or Intuos).
The amazing Photoshop Brush Dynamics are the key to a great
watercolor conversion.
You can do it with a mouse but a great end result will be much more
difficult to achieve.
In the painting portion I had the brushes set to change Size,
Scattering and Opacity with pen pressure and this is how they were
set ...
Shape Dynamics Pen
Pressure (Brush Size)
Size Jitter - around 50%
Angle Jitter - around 75%
Roundness Jitter - around 50%
Scattering Pen
Pressure
Scatter - both Axis checked and set somewhere
between 200% and 250%
Count (not a pressure setting) - set to 4
Count Jitter - set to 25%
Other Dynamics Pen
Pressure (Brush Opacity)
Opacity Jitter - around 25%
Flow Jitter - around 75%
If you have no idea what this is about then it would be useful to check
out the Photoshop Brush Tutorials ...
The Brush Settings are great and darn - they're just a whole lot of fun
...
Initial
Setup
Here's the initial image that will be converted into a watercolor
painting - a nice landscape ...
Open an image and duplicate the Background layer.
Select the Background layer and make it editable by
double clicking on
the word "Background" and then clicking OK.
While still on the Background layer go to Edit
> Fill > White and click OK.
Select the Background Copy layer and duplicate it
(Ctrl-J/Cmd-J). Make sure the Background Copy layer is
selected and turn off the visibility icon - the layer will be used for
reference.
Select the top layer in the stack and change its
Blending Mode to Linear Light.
Layers
Palette
Starting
to change
Select the top layer and add a new Curves Adjustment
layer.
Click on the bottom left quadrant of the curve and in the
little boxes at the bottom of the palette enter 58 in the Input box
and
71
in the Output box.
Now click in the top right quadrant and
enter 185
in the Input box and 206
in the Output box. Click
OK. This adjustment will lighten the mid-tones which is a
nice starting point for the watercolor conversion.
Select the image layer and then click on Filter
> Brush Strokes > Spatter and set the Spray
Radius and
Smoothness to their maximum settings. This simplifies the
detail in the image.
Now go to Filter
> Blur > Surface Blur,
set the Radius around 12 and the Threshold around 37. This
will simplify the image even more.
Layers
Palette
Blurred
Image
The last setup of the initial setup is to add a
watercolor paper pattern. Select the Curves layer and go to Layer > New Fill Layer
> Pattern. Click the pattern swatch that
comes up and then click on the little right facing arrow (light blue),
choose the Artist
Surfaces and then select the Watercolor Pattern (outlined
in red). Set the Scale to somewhere between 200% and 300% and
then click OK.
Here's the layers palette to this point in the conversion.
A few more layers will be added during the painting process.
If this is something you are going to do more than once then consider
writing a Photoshop Action for the steps up to this point. It
removes some of the tedium of getting started.
That's it for the initial setup and now we get to paint.
Painting
Now for the painting part of the conversion ...
Brush Setup
Select the
image layer and go to Layer
> Layer Mask > Hide All. The image will
disappear but that's OK.
Choose
the Brush tool and click in the brush picker. Click
the little arrow
on the right side and select the Natural Brushes 2 library.
If the
picker shows the brush thumbnails then click on the little arrow again
and change the view to either Small List or Large List so it will be
easy to find the watercolor brushes.
Scroll down the list and find the Watercolor 2
brush.
Now bring up the brushes Palette and set the
dynamics for the brush as previously mentioned.
Shape Dynamics
Scattering
Other Dynamics
Painting The Layer
Mask
OK - so now the initial setup is done and the first brush is all set to
go.
Click directly on the layer mask that you just
created (it's outlined in white) on the Image layer.
Make black and white the default colors by
pressing the D
key and make white the default color by pressing the X
key.
Even if you are using Bamboo or Intuos tablet
lower the opacity of the brush to around 50%.
Start with a large brush size. This
image is 3268 pixels wide so I used a 600 pixel brush.
Start painting on the image and change the
pressure on the pen as you go - the image will slowly start to appear.
Keep going until you can recognize the image.
Here's how the image and the mask look after the first painting with
the Watercolor 2 brush ...
First Painting
Layer
Mask
The watercolor is taking shape nicely and now it's time to add a bit
more detail to the important part of the image ...
Go back to the Brush Picker and select the Watercolor
1 brush. Increase the opacity up to about 70% and decrease
the brush size to about one-half of the size you were using earlier.
Go back to the canvas and start painting with white
in the most important details. Vary the pen pressure as you
go. There's no right or wrong with this - just keep going
until you like what you see.
Going Deeper
The next step is to add even more detail.
Duplicate the image layer with Ctrl-J/Cmd-J.
Click on the layer mask on the new layer and fill the
mask with black - Edit
> Fill > Black.
Decrease the size of the brush even further and paint
even more detail into the important part of the image.
Here's the painting and mask after this step ...
More Detail
The Mask
Adding
Some Color
The next step is to look at the image an add a bit of color wherever
you think it's necessary.
With my watercolor conversion I wanted to have a bit more blue sky -
the big white patch in the middle just doesn't look that great.
With your image the color you want to add will likely be
different.
The blue color was chosen using the Eyedropper Tool from the Background
Copy that, until now, has been turned off.
You can turn off all of the layers and turn on the Background Copy but
there is an easier way to turn it on and turn off the rest of the
layers. Select the Background Copy, move the cursor over the
space where the layer eyeball lives, press and hold the Alt key and
click.
Look at that - the Background Copy is now the only layer visible!
Very convenient, isn't it?
Now use the Eyedropper to select the color that needs to be added
- now you're ready to begin but remember to turn off the
Background Copy and turn on the other layers ...
Select the last layer you worked on and add a new
layer.
Lower the layer opacity to about 30% to 40% and set
the brush opacity to about 40%.
Using the same brush you last used and with the same
Brush Dynamics start painting the color you selected where you think
it's needed.
When you're happy with the new color add another
layer and set it's Blending Mode to Multiply.
Now click on
the foreground color you selected and when the color picker comes up
select a new color that is a bit darker and then click OK.
Make the brush a bit larger and add some strokes to
the image where they will do the most good from an artistic point of
view. This is, after all, your artwork and if you like the
appearance then that's fine.
If
you are using an image with trees and fine branches then add another
layer. Load the Wet Media brushes and select the Watercolor
Light
Opacity brush. Make the brush very small and add some thin,
black
strokes at a low opacity.
Finishing
Up
The last step is to diffuse the image. Go to Filter > Blur >
Motion Blur. Set the Angle and the Distance to
90 and click OK.
Now
take a critical look at the image. Because all of the layers
are
intact it's easy to go back and change the opacity of the
layers
or add brush strokes.
The Image and Image Copy layers
include a Layer Mask and that means you can paint with black to
decrease the effect of the original brush strokes if necessary.
Remember to go back to the Watercolor brushes used earlier and make
sure the Brush Dynamics are set as well.
Here's the final layers palette for this conversion.