Shadows Highlights
Have you ever tried the Shadows Highlights adjustment to fix a lighting
problem in
Photoshop Elements?
If not then prepare to be amazed.
What this adjustment does is separate the brightness range of
an image into three
more or less distinct zones (the shadows, the mid-ones and the
highlights - hence the name) which can be adjusted independently.
The end result is unblocking of the shadows, darkening of
washed
out highlights
and modification of the mid-tone contrast.
For all of it's sophistication (and it really is a sophisticated
adjustment) Shadows Highlights is surprisingly easy to use
even with
a difficult image. With the right image and some fiddling
with the adjustments and some further adjustments it's possible to give
an image that "HDR" look.
Let's look at a couple of examples - one straight forward and one much
more difficult to deal with.
Using
The Adjustment
The Shadows/Highlights
adjustment is done directly on the image so it's
a good plan to make a copy of the original background.
It's accessed by clicking Enhance
> Adjust Lighting > Shadows/Highlights ...
and this is the adjustment palette ...
There are only three simple adjustments and they really are
self-explanatory ...
- Lighten
Shadows
- Darken
Highlights
- Midtone
Contrast
Make sure the Preview button is checked so the effect of the adjustment
can be seen.
Here's a picture I shot a few months ago that needs some TLC ...
This one could be worked on with the Levels command but ...
the darkest area on the left (from your point of view) has been
opened up and the water flowing over the falls is now way too bright
and the contrast is disappearing.
Here's the same shot after using Shadows/Highlights ...
The Shadows/Highlights adjustment also opened up the Shadow by moving
the Lighten Shadows
slider up and the water of the falls was darkened with the Darken Highlights
slider.
The Midtone Contrast
really didn't need any adjustment.
There - I said it was an easy and powerful adjustment and it really is,
isn't it?
Here's
another example of the Highlights Shadows ... a quick
adjustment
on this night shot took the image from OK to much more interesting ...
 |
 |
| Original
Image |
After
Highlights/Shadows |
The adjustment on this image really opened up the shadows on the
sidewalk and on the facings of the buildings in the mall.
Now for a black and white ...
It's an amazing adjustment and useful in so many different situations.
Tip
- Undo History

When you are working
with this adjustment (or any adjustment for that
matter) keep the Undo History palette open on your desktop ... because
it
allows you to go back in time before the change you made that you don't
like.
This one shows that the image was opened, a Shadows/Highlights
adjustment was made, a Hue Saturation Adjustment layer was added and
finally a new layer (Soft Light Dodge and Burn) was added.
The palette makes it easy to compare the original to where you are
presently and step back if the results are not what you want.
To get to an earlier time just highlight that step and there you are -
it's kind of like the Doctor Who of Photoshop Elements.
Now for a more difficult situation ...
A More
Challenging Image
I'm not very proud of this shot ...
This Shadow/Highlight adjustment was applied ...
This is the result - the elements in the shot can be seen but there is
not much contrast ...
And then a Levels Adjustment ...
To finally end up here ...
And here are the three histograms for the thee images ...
 |
 |
 |
| Original |
After Shadows
Highlights |
After
Levels Adjustments |
- The Original Histogram is clumped up in the Shadows.
- After Shadows/Highlights the Histogram has been
expanded.
- After Levels the Histogram stretches from the Shadows
to the Highlights.
Further
Adjustments
It's unlikely that using Shadows/Highlights alone or in conjunction
with Levels will get you where you want to be with an image.
Because of the nature of the images where Shadows/Highlights will have
an effect it's likely that some Dodging
and Burning will be very useful.
Another adjustment that may produce some dramatic results is to modify
the individual colors with Hue
and Saturation.
Let's see what these adjustments will do for an image ...
It was one of those days - you know the one's with a dark and brooding
sky, some rain and a cold wind stirring up the lake late in the fall.
In other words - a perfect day to be out with a camera!
I saw this older gal braving the elements and just had to take a
picture of her. As is often the case, the image in my mind
did not match the image I downloaded to my computer.
Shadows/Highlights
The first shadows/highlights adjustment lightened the grass and
darkened the sky and it is
an improvement but the Histogram indicates that a Levels adjustment is
needed.
Levels Adjustment
Moving the highlight slider in to the edge of the histogram brightened
the image ...
If you're not confident with the Levels Adjustment - Click Here ===>
Hue and Saturation
This adjustment is a bit different from what you may normally do.
Rather than work with a Master modification, drop down the
Edit: menu and then you can choose which color to modify.
With this image I increased the saturation of both the Greens and the
Blues to add some punch to the colors. This is how the image
looks now ...
Dodge and Burn
Finally - a bit of dodging and burning with a Soft Light
Layer - one of the really awesome adjustments you can do in Photoshop
Elements ...
If you're not sure about Dodging and Burning - Click
Here ===>
There you go - that's how to use shadows highlights to fix lighting
problems and then do some additional adjustments to an image.
Shadows Highlights really is one of the easiest adjustments to use and
makes the most
incredible changes to an image.
Photo Restoration
Shadows highlights is a very effective tool in photo restoration.
Take this image, for example ...
Not
only are there some obvious blemishes in the image, there are also a
lot of blocked shadows and a rather bland and boring sky.
 | The restore palette produced the next image ... |  | The shadows have been opened up and the contrast was lowered. The highlights didn't need any adjustment.
|  | A
Soft Light Layer was added to the image and then a black to transparent
gradient was added. The gradient was drawn from the top of the
image.
The black of the gradient darkened the sky even further
and the transparent part of the gradient had no effect on the bottom of
the image. |
At this point the Spot
Healing Brush was used - extensively - on the background layer.
There were lots of little spots everywhere on the image and the
Spot Healing Brush took care of them quickly and efficiently -
gotta love the Spot Healing Brush.
A second Soft Light layer was
added and the bow wave, the masts and the wheel house were lightened by
painting with white using a brush that changed opacity with pen
pressure.
Here's the image after all of these modifications and adjustments with a nice gray frame added ...
Video
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