When I was a Photoshop rookie I would occasionally open the Photoshop Curves dialogue box and mess about with it. The results were always a complete and total disaster.
People told me that Curves were great - ha - it was a complete mystery and did not make any sense at all. The darn thing seemed to defy any logic whatsoever!
At this point in my Photoshop career Curves are less of a mystery and the time has come to offer you this tutorial on Curves. There's a lot to learn and it'll be worth it.
In the old style wet darkroom curves would be analogous to the black and white mult-grade papers and the little filters that were place below the light source.
I have to admit that I never really understood how to use the multi-grade papers with the filters and that is probably why my black and white prints tended to lack contrast.
The curves dialogue, at first, was also a mystery to me until I understood the importance of good contrast in an image and how easy it is to modify the contrast with the curves dialogue.
This nice straight line goes from the bottom left to the top right and is a graphical representation of the full range of brightness from 0 (black with no detail on the bottom left) to 255 (pure white with no detail on the top right).
Roughly speaking, the bottom third of the line is the shadow detail, the middle third the midtones and the top right third the highlights. In addition - everything below the line is darker than at the line and everything above the line is lighter.
Confusing? Just play with the curve and it will all become clear.
So - if you move a spot on the line up then that area of brightness will get lighter and if you move it down it will get darker.
When you open a Photoshop curves adjustment layer (by clicking on the little black and white circle at the bottom of the Layers palette and selecting Curves) and then take your cursor and run it around your picture then you will see a dot move up and down the line corresponding to the brightness.
What you can do is click somewhere on the diagonal line and notice a point is set there. Make sure Preview is checked, open your Histogram window and then select the point and move it around - up/down/left/right and watch what happens to your picture.
It changes - getting brighter or darker and if you watch the histogram you will see it changing as well. If you make big changes then the result with your image will be dramatic and generally not particularly pleasing.
Most of the time with Photoshop Curves - less is better.
A simple and small change to the curve can have a really dramatic effect on the brightness of the image.
Take this image of the Tattoo & Barbershop. It's an interesting (and very unusual) subject but not particularly pleasing photographically.
The picture is too light and too flat - not at all what I remember when I pressed the shutter on my trusty Olympus E-300 DSLR.
It was annoying to see this lmage after I rushed home full of excited anticipation and loaded the RAW file into Bridge.
Your keen eye can tell this is not my best work and the Histogram confirmed your opinion - most of the Histogram was kinda clumped off to the right - the light area. There is very little information in the shadow area. In my defense - it was a brilliant overcast day with the light falling on the front of the store.
The histogram tells all you need to know about this image ...
To get the brightness where it is required the administration of a Photoshop Curves Adjustment Layer and that's what I did.
The histogram is saying that there is not enough shadow area in the image and this is confirmed visually - it really is too light and quite unappealing!
There are so many ways to modify the curve to improve the image - here are a couple...
This image suffered from being far too light so the Curve was dragged down into the dark area. If the image was too dark then the curve would go the other way - up into the light area.
In the situation where the bottom left point was moved to the right it increased the slope of the line and this not only modified the brightness, it also changed the contrast ...
An image that covers the full range of brightness levels (0 to 255) will generally have good contrast. The contrast will suffer to the degree that the full 255 brightness levels are missing.
Here is an image of some wall art. It is not a bad image but can probably be better with a contrast adjustment with Photoshop Curves ...
and here is the histogram ...
The majority of the pixels are in the mid-tones and shadows which creates the overall flat appearance - gotta have the full range of brightness levels (from 0 to 255) to have a pleasing image, right? This image has brightness values ranging from about 0 to 225 meaning it will improve with a bump up in contrast.
A Photoshop Curves adjustment can fix that ...
This is the curve I eventually ended up with after some messing about to get the image looking like I wanted it to look ...
The Points ...
Here is the image after the change in contrast ...
The reds are redder - the little blue coaster now has some color, the yellow menu has some attitude and the whites are brighter - overall it is a better image - and you know what - I think the guy on the left is in love with the gal at the table!
To move forward from point to point on the curve - Ctrl-Tab (Windows) and Cmd-Tab (Mac).
To move backward from point to point on the curve Ctrl-Shift-Tab (Windows) and Cmd-Shift-Tab (Mac).
To reset the curve to normal press the Alt key and the Cancel button turns into a Reset button. Click it! This is same in all of the Adjustment Layer dialogues.
The little eyedroppers in the dialogue can be used to set a black, white and neutral (18% gray) point. The black and white are easy - the neutral can be a bit of a problem. The neutral gray point is really important and deserves its own tutorial page. When you are using a light meter it is simply looking for the 18% gray point and that is why you can find the 18% neutral gray cards for sale in the higher end camera stores.
The Auto button will set the curve automatically although the appearance of the curve will not change.
You can select the pencil tool and draw your own curve (ya, right).
The curves for the Red, Green and Blue channels can be individually modified. This is more of a high end, experienced user thing and somewhat beyond the present scope of this site. A detailed tutorial can be found in the manual Photoshop In A Day.
Combining Photoshop Curves and Photoshop Levels can have a really, really, really dramatic effect (sheez - I read that and thought of Zoolander).
For instance - this image improved with a Photoshop Levels Adjustment and with a Photoshop Curves Adjustment but when they were both done the improvement was dramatic ...
Changing the brightness and the contrast of an image with Photoshop Curves will make some amazing changes.
Give it a try and play with the curve to see what happens.
Photoshop curves in CS5 has a new look and a new way to work.
There are three ways to launch the Photoshop Curves dialogue - from the Layer menu, by clicking Curves in the Adjustment Layer icon in the bottom of the Layers Panel and from the Adjustments Panel.
This is the Adjustment Panel in Photoshop CS5.
The two sections outlined in red are of particular interest.
The top one (the little curve icon) will launch the Curves Adjustment Layer.
The other one part way down the panel contains the Curves Pre-Sets.
If you click on the little arrow on the left of the panel it will drop down and show 9 different Pre-Sets to get you started.
Just click on the one you want and it will be applied to your photograph.
These are the Curves Pre-Sets ...
When one of the pre-sets is clicked the curve is adjusted - Increase contrast was clicked and the next graphic is the end result ...
This is a typical contrast increasing curve from the pre-set.
It can, of course, be further modified by adding points or moving the points already on the line.
Other icons ...
When you click on the little finger icon (outlined in blue) you can drag it over the photo to change the curve. This is useful if you want to modify one area.
When the pointer is touched to the image you will see a point appear on the curve and the point will move around as you move your pen over the point will move up and down the line.
Across the bottom (outlined in green) are 7 different icons. From left to right ...
If you want Photoshop CS5 to have all the fun then click the Auto button.
The Mask panel, which lives with the Adjustments panel (at least on my Photoshop CS5), is really unique and very, very useful powerful.
In fact, it is so unique and powerful that it has to have it's own page.
You can click here to make your masking life a whole lot easier!
The Basics of Curves
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