Now that is a
dramatic change, isn't it? This tutorial will show you how to
achieve results like this (incidentally, this technique works exactly
the same in both Photoshop and Paint Shop Pro).
Eliminating Color Cast
The first step in this Paint Shop Curves tutorial is to eliminate the color cast.
When you have an
image like this you will obviously have to scan it into your
computer. When you are scanning make sure you scan it as an
RGB image rather than black and white (you can find information about
scanning an old photo here).
The reason will become
clear soon enough.
I don't know how
you feel about the sepia color cast but I really don't like
it. For some reason it seems to make it very difficult to
clean up any problems in the image - like scratches and dirt marks and
folds and stuff.
The answer is to
convert the image into black and white using the Channel
Mixer Adjustment Layer.
Have you ever
wondered how to set the Red, Green and Blue in the Channel Mixer to
create the best results?
This is how to
make that important decisions ...
Go to Image
> Split To Channel > Split to RGB and suddenly
you will have four images on the screen - the Composite RGB, the
Red Channel,
the Green Channel
and the Blue Channel.
To make it easier
to see the channels click on Windows > Tab Horizontally.
Now you have a great view of the RGB plus the three channels.
This is what you
will see on your screen ...
 |
| All Channels |
| Top Left = Blue |
Top Right = Red |
Bottom Left =
Green |
Bottom Right =
RGB |
Now your job is
to inspect each one of the channels in an effort to determine which
one(s) you need to choose for your Channel Mixer.
With this image
Red Channel - flat
with little contrast
Green Channel
- somewhat better than red
Blue Channel
- best contrast but a bit dark.
For the Channel
Mixer Adjustment Layer I started with the following:
Red Channel - 0%
Green Channel
- 30%
Blue Channel
- 70%
After some
messing about I ended up with the following numbers:
Red Channel - 10%
Green Channel
- 15%
Blue Channel
- 75%
With this result ...
Now this is a lot
easier to
work with, isn't it?
Curves Adjustment Layers
Now for the fun part of the Paint Shop Curves technique (as if the Channel Mixer wasn't fun) - adjusting
the contrast with a Curves Adjustment Layer.
Create a new Curves Adjustment Layer - and put some points on the line
like this ...
Some quick information about this dialogue:
- the line is always at a 45 degree angle when
you open the dialogue
- everything below the line is the dark area
- everything above the line is the light area
- you can place points anywhere on the line and
move them up or down
- the steeper the line the greater the contrast
- the shadow area of your image is about 1/3 of
the way up the line from the bottom left
- the mid-tone area roughly starts where the
shadow area is ends and goes another 1/3 of the way up the line
- the highlight area starts roughly where the
mid-tones end and goes to the top right of the line
I placed two points on the line at the first intersection in the shadow
and highlight area and then
- moved the highlight area up about 1/2 of the
square
- moved the shadow area down about 1/2 of the
square
This increased the contrast, darkened the shadows and lightened the
highlights - like this ...
And this is the result of this adjustment ...
Don't you find it absolutely
amazing that those small adjustments made such a large difference in
this image? I know I do - I am in awe of curves - and how the
heck do they do that with zeros and ones???
Paint Shop Curves
are
great!
Curves On A Selection
See
the little boy (I think its a little boy) in the white outfit on the
left side of the
picture? His clothes are almost blown out highlights ... so
lets
fix it ...
Make a selection around the clothing (on the background) and promote
the selection to a new layer like this ...
Highlight
the promoted layer and give it a new name so you can keep track of
things and then - create a new
Paint Shop Curves
Adjustment Layer. This
layer will only affect the selected area.
Put a point on the
line in the highlight area and drag that point down into the dark area
but only a little bit. You can actually use your down arrrow
key
to move the point.
You can see how very little change is needed to make a significant
change in the image.
When you have a bit of texture click OK,
deselect and zoom out for a better look. Turn the Paint Shop curves
layer
off and on a couple of times to make sure you are satisfied with the
results.
Now - ain't that an amazing change from the original?
The Paint Shop curves adjustments do an absolutely amazing job!
Now there are some other problems that need
addressing in this image but that is a tutorial for another time.
The most obvious problem is that the left side of the image
is
much brighter than the right side. There is also a stain and
some
nasty blotches that need mending.
Those items are the subject of another tutorial so let's end with that.
Find yourself an old image and give this a try - it is really rewarding
to take an image like the original one in this tutorial and a lot of
fun
as well - and after all - having fun with your images is important
isn't it?