Digital
Makeover
This is a superb digital makeover method to create that fresly
"made-up" look and is based on techniques from Ashley Riddell.
This is really a two part procedure - the first part
reduces general flaws
and blemishes and the second part adds a really nice glow to
the
skin.
Let's get to it ...
Digital
Makeover

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| Original Photo |
Skin Cleaning Done |
- Open
your image and duplicate the background. It may be
useful
to make sure the History Palette (Windows > History) is open as
well
so you can compare your work to the original as you work.
- If there are any glaring blemishes or hot spots
you may want to get rid of them with the Clone Tool or Patch Tool or
Healing Brush. It may also be necessary to do some color
correction if that is an issue. With this shot it was
necessary to eliminate some of the red on the skin.
- Open
the Channels Palette (Windows > Channels) and look at each
channel
in turn (red, green and blue). As you look at each one notice
how
the red channel is almost totally blemish free while the blue and green
channels contain all of the skin blemishes and noise.
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 |
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| Red Channel |
Green
Channel |
Blue
Channel |
- With the Red Channel highlighted, Select All
(Ctrl-A or Cmd-A) and Copy (Ctrl-C or Cmd-C).
- Highlight
the RGB Channel and then go back to the Layers Palette and Paste
(Ctrl-V or Cmd-V). This puts the monochrome Red Channel on
its
own layer. Change the Layers Blending
Mode to Luminosity
and
now
you have the color back.
- Return to the Channels Palette, make sure
that RGB is highlighted and Ctrl/Cmd click. This selects the
Luminosity
values. Return to the Layers
palette, select the
new
layer you created and click the Layer Mask icon at the bottom of the
Layers Palette. This will put the Luminosity selection into
the Layer Mask.
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| Layers Palette |
- Now you can modify your picture by either/or
adjusting the Levels (Ctrl-L or CMD-L) and change the Opacity of the
layer.
At this point you may be
quite satisfied with the results.
The second part of the procedure is to apply some foundation makeup to
the skin.
This will smooth out the skin even more and it will not create that
'false look' one so often sees in models.
This is, after all, an attractive young gal - a real person and the
goal is to make her look the best she can without resorting
to things like the surface blur found in CS3.
Foundation -
Digital Makeover
This part starts off where the previous steps ended and we will build
on what we already have.
Let's do it ...
- Create a new layer above the layers you already
have. Ctr-A or CMD-A to select all
of the layers and then Edit
> Copy Merged and finally (with your new layer highlighted)
Ctrl-V or CMD-V.
- Now we are going to run a couple of filters on
the image - Gaussian Blur and High Pass. With the newest
layer selected, select Blur > Gaussian Blur and mess about with
the slider until the skin is nice a smooth. Make a mental
note of the radius in pixels that you like the best. Now
Cancel Gaussian Blur and keep the number in mind.
- Now select Filter > Other > High
Pass ... and enter the number you have faithfully stored in you head
from the previous step in the Radius Pixels box. Click OK.
Looks weird, doesn't it?
- Go back to Filter > Blur >
Gaussian Blur and enter 1/3 of the number you are remembering into the
Radius Pixels box and click OK and then invert the image - Ctrl-I or
CMD-I or Image > Adjustments > Invert. Still
looks weird ...
- Now is the time to return our
picture to some kind of normal look and we do that with
Blending Modes.
Drop down the Blending Modes box and select Overlay and there
you go - the picture now looks even better than before! You
can experiment with the Soft Light Blending Mode as well. It
is up to you which one you choose because they both work and
both
provide a slightly different result.
- Add a Layer Mask to the layer so that you can
apply the smoothing to only those parts of the image that need it.
You can either fill the Layer
mask with Black (Edit > Fill > Black) and paint in the
effect with white or fill the Layer Mask with White (Edit > Fill
> White) and remove the effect where it is not wanted by
painting with black. It is up to you how you do it.

- This is where you get to use your Wacom tablet
for precise and easy painting. It is probably best to have
the brush dynamics set to size (changing stroke size with pressure) or
nothing at all.
- If you want to see how the Layer Mask looks up
close then just Alt-Click or Cmd-Click on it. To return to
the normal vies just select the layer again and activate the layer mask.
- There are some areas you probably don't want to
soften too much - eyes, eyebrows and lashes and lips.
- Once the effect has been applied you can
further refine it by messing with the top layer's opacity and/or
fiddling around with Levels.
That's it - you are done with your digital makeover and you should be darn proud of your work.
Here is the finished image ...
I hope
you found this digital makeover a fun and useful tutorial. The next
challenge
for you and me is to
write an Action that will do the tedious parts automatically - stay
tuned!
Return to Photoshop Tutorials from Digital
Makeover.

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